The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943)
Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.
( 0:00 ) Piano Concerto No.2 in Cm Op.18 - I. Moderato
( 9:19 ) Piano Concerto No.2 in Cm Op.18 - II. Adagio sostenuto
( 19:50 ) Piano Concerto No.3 in Dm Op.30 - I. Allegro
( 34:46 ) Piano Concerto No.4 in Gm Op.40 - III. Allegro vivace
( 43:26 ) Rhapsody on a Theme of Paganini Op.43
( 1:04:04 ) Symphony No.1 in Dm Op.13 - I. Grave - Allegro ma non troppo
( 1:17:52 ) Symphony No.2 in Em Op.27 - III. Adagio
( 1:33:00 ) Symphonic Dances Op.45 - I. Non allegro
( 1:44:59 ) Prelude Op.23 No.02 in Bbm - Maestoso
( 1:48:41 ) Prelude Op.23 No.10 in Gbm - Largo
( 1:52:49 ) Morceaux de Salon Op.10 - No.5 in G - Humoresque
( 1:59:57 ) Etudes-tableaux Op.39 - Allegro moderato - Tempo di marcia in D No.9
( 2:03:37 ) Cello Sonata in Gm Op.19 - III. Andante
( 2:09:19 ) The Bells Op.35 - III. Presto
( 2:18:10 ) Vespers Op.37 - Bless the Lord, O my soul
( 2:23:03 ) Francesca da Rimini Op.25 - I. Prologue
London Symphony Orchestra의 'Symphony No. 2 in E minor, Op. 44: III. Adagio: Adagio'
Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.
( 0:00 ) Piano Concerto No.2 in Cm Op.18 - I. Moderato
( 9:19 ) Piano Concerto No.2 in Cm Op.18 - II. Adagio sostenuto
( 19:50 ) Piano Concerto No.3 in Dm Op.30 - I. Allegro
( 34:46 ) Piano Concerto No.4 in Gm Op.40 - III. Allegro vivace
( 43:26 ) Rhapsody on a Theme of Paganini Op.43
( 1:04:04 ) Symphony No.1 in Dm Op.13 - I. Grave - Allegro ma non troppo
( 1:17:52 ) Symphony No.2 in Em Op.27 - III. Adagio
( 1:33:00 ) Symphonic Dances Op.45 - I. Non allegro
( 1:44:59 ) Prelude Op.23 No.02 in Bbm - Maestoso
( 1:48:41 ) Prelude Op.23 No.10 in Gbm - Largo
( 1:52:49 ) Morceaux de Salon Op.10 - No.5 in G - Humoresque
( 1:59:57 ) Etudes-tableaux Op.39 - Allegro moderato - Tempo di marcia in D No.9
( 2:03:37 ) Cello Sonata in Gm Op.19 - III. Andante
( 2:09:19 ) The Bells Op.35 - III. Presto
( 2:18:10 ) Vespers Op.37 - Bless the Lord, O my soul
( 2:23:03 ) Francesca da Rimini Op.25 - I. Prologue
London Symphony Orchestra의 'Symphony No. 2 in E minor, Op. 44: III. Adagio: Adagio'
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